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The Vertical

Books & Arts

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Fiction & Poetry

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After the March
Ghostmother
Letter to History (II)
Letter to History (I)
Expunging India's Diamond City
Dissipated Self-Determination

LATEST

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Into the Sea
JAPAN
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After the March
ISLAMABAD
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Ghostmother

VOL 2. ISSUE 1

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“Euphemisms and doublespeak concealed disappearance at an unprecedented transnational scope.”

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Resistance Until Return

Palestinian-American actor and playwright Sadieh Rifai confronts the mental toll of occupation, war, and the American dream in her world premiere, The Cave.
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“Food organization at Columbia’s Gaza Solidarity Encampment began as the effort of just seven students organizing the chaotic assortment on the tarp, but it quickly evolved into a network attracting several student groups, professors, community members, and even other encampments, including the NYU and City College encampments.”
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“I really got into organizing through the Palestinian solidarity movement. I co-founded my school's chapter of Students for Justice in Palestine. The same people who used to walk by me in the student union when we were organizing for an academic boycott—those same people have reached out to me since to say they wish they had gotten involved, that they feel differently now. Really, the Black Lives Matter movement opened a lot of people's eyes to the interconnectedness of state violence.”
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Fugitive Ecologies

Beatrice Wangui's Fight for Seed Sovereignty in Kenya
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Paean to Mother Nature
Save Karoonjhar
Gardening at the End of the World
Descendants of enslaved and indentured labourers cultivated life amidst the ruins of climate catastrophe in nineteenth-century Mauritius. Today, deforestation and the sugar industry have left a legacy of natural disasters and public health crises. What path forward remains for the unification of the political and scientific in service of the island’s labouring population?
On the Ethics of Climate Journalism
Information asymmetry, shadowy military operations, mining mafias, and the consent, or lack thereof, of the working class in how their information, labor, and presence are used are all tied to the production, distribution, and consumption of food, energy, and water in India. For climate journalist Aruna Chandrasekhar, this understanding, as well as the proximity of Operation Green Hunt to her hometown, led her to journalism.

An internationalist, leftist literary magazine seeking an activist approach to representation.

Colophon inspired by Rabindranath

Tagore's "Head Study"

Four Lives
"How would Rafi Ajmeri have fared in the Progressive era that was dawning just then?  Would his liberal attitudes have hardened into dogma, or would he have swung to conservatism in the Pakistan to which his brothers migrated as he too probably would have?"
Alien of Extraordinary Ability
"Go back to sleep Ms. Chowdhury, the American situation is strange"
Six Poems
"In Ayodhya’s sacked Mogul masjid / vultures scrawl Ram on new temple bricks. / Brother, from this mandir of burning"
SAAG’s 2024 In Reading
Fictions of Unknowability
Chats Ep. 9 · On the Essay Collection “Southbound”
Dalit Legacies in Mythology, Sci-Fi & Fantasy
On Class & Character in Megha Majumdar's Debut Novel
Experimentalism in the Face of Fascism
“Welcome! Models politicians auto drivers butchers bankers accountants actors liars cheat saints masters slaves herpes gonorrhea HIV syphilis tops bottoms bottoms who top tops who bottom preferably top miserably bottom white black pink yellow brown blue high caste low caste no caste...”
"There was no one else in the four-berth compartment. I was comfortable. Somewhere near the Andhra-Orissa border I woke up and found everything dark. The train wasn’t moving either. Pitch dark. You couldn’t see anything out of the window."
A Premonition; Recollected

Rubble as Rule

The Changing Landscape of Heritage
Fictions of Unknowability
Cracks in Pernote
Kashmiri homes and livelihoods are disintegrating, with major infrastructural developments and mining projects inducing landslides, disrupting water and electrical channels, and destroying agricultural trade in the region–all in the name of increasing Kashmir's connectivity. Impractical in scope, these infrastructural projects defy all recommendations geological researchers have urged developers to consider for decades: and the government is content leaving Kashmiris in unlivable conditions, so long as the homes are not yet one with the earth.
Bulldozing Democracy
Since his electoral victory in 2014, Narendra Modi’s Hindutva brigade has attempted to render Muslims invisible through hypervisibility. Mob-lynchings "don’t just happen” to Muslims. Thook Jihad is to be expected. By applying microscopic, misinformative attention to Muslim businesses, homes, and livelihoods throughout the country, the BJP has forced Indian Muslims to constantly create hideouts for their humanity. However, as Modi’s monumental loss in the recent Lok Sabha polls indicates, Muslims refusing to accept the social and psychological invisibilization are already leading the charge for a brighter electoral future.
“Not only has the neighborhood lost much of its middle-class transnational identity, but it is also being erased in the media and from the collective memory of Dubai. The livelihoods and lifestyles of Karama’s former inhabitants are threatened as the space for economic participation diminishes with the establishment of more exclusive, privatized, and upper-class modes of living and leisure in the area.”
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Totes
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COMING SOON

INTERVIEWS

The Mind is a Theater of War
The Craft of Writing in Occupied Kashmir
Radical Rhetoric, Pedagogy & Academic Complicity
A State of Perpetual War: Fiction & the Sri Lankan Civil War
Kashmiri ProgRock and Experimentation as Privilege

From Raags to Pitches

KOKOKO!, an experimental music collective from the DRC, has navigated political censorship and the country’s struggles with energy exploitation to create a sound that electrifies the present. Using repurposed household materials as instruments and makeshift cables for amps, they fuse French and South African house with Congolese folk to produce innovative live and stereo listening experiences. Their latest album, BUTU— “the night”—calls on audiences to bear witness to the cacophony of Kinshasa after dusk as a commentary on the political state of Congo at large.
“Loneliest star, shining so brightly / For no one to see. / Loneliest star, tell me your secret / You shouldn't keep it.”
“We looked at all these old EMI vinyl album covers. I remember listening to the song and thinking: 'This song is pink.'”
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